you gotta get prepared for summer. you can’t wait for june 21st to get your soul ready. so, listen, i’m giving you a jump on your summer soul with the spring 2006 mix, sweet soul music (elizabeth refined):
01. since you’ve been gone – aretha franklin
02. out of sight – james brown
03. cry baby – garnet mimms
04. the entertainer – tony clarke
05. grits ain’t groceries (all around the world) – little milton
06. foolish fool – dee dee warwick
07. do it good – bill withers
08. didn’t i – darondo
09. cry to me – solomon burke
10. bring it on home to me – sam cooke
11. who’s lovin’ you – the temptations
12. love man – otis redding
13. can i get a witness – marvin gaye
14. sweet soul music – arthur conley
15. that’s how it feels – the soul clan
16. just one look – doris troy
17. it’s your thing – the isley brothers
18. ooo baby baby – smokey robinson and the miracles
let me know (comments or email) if you’re interested. if you find these tracks compelling, i’d encourage you to check out rhino’s six disc box set, beg scream and shout, and the really sweet stuff over at o-dub’s soul sides.
i was listening to south san gabriel the carlton chronicles in the car today and it finally clicked. what an astounding album.
you know what it makes me feel like? it makes me feel like i’m being sung to by a proud, free, fierce individual who loves me unconditionally. it’s such a good feeling. but its so sad to hear him wrestling with depression and hopelessness.
i think listening to it five or six times first just helped me get familiar with it so i could enter into the music a little deeper — i wasn’t waiting to see what happened next this time, so i could appreciate what was happening now.
and the hooks on this album — the chorus of “predatory king today,” the driving background behind “the dark of garage,” the ghostly reverb choir on “affection’s the pay,” and especially the sublime 4 minutes of instrumental at the end of “stupid is as stupid does” — are just top notch.
i’m a believer. thanks for turning me on to such a wonderful album.
danielson – ships (awesome, not like i’d heard at all!)
breeders – pod (“iris” is one of the best rock songs ever)
south san gabriel – the carlton chronicles (think mmj but less reverb)
tv on the radio – desperate youths, bloodthirsty babes (rocks slow)
savath & savalas – apropa’t (background party music in spanish)
i was listening to the books‘s the lemon of pink on the way to work this morning, for the first time. on a track called “take time,” a sampled voice starts saying “a time and a time and a time and a time…” over and over.
it’s admittedly part of the fun of this band, that they find all these obscure samples of voices saying the strangest things. i think you’re supposed to marvel at their resourcefulness and the depth of their sample pool. with this particular snippet, it was obvious that they hadn’t just looped the voice– from the minute variations in tone and the natural rhythm of the speech it was evident that this speaker had actually repeated the words “and a time” over and over. i thought to myself, “wow! why did this person say this, record himself saying this? and how on earth did the books find it?”
and then, later, i heard the same voice intone, “and there is nothing new under the sun,” and i instantly realized that the books had (perhaps even more amazingly) made a very, very clean edit of the “seasons” passage from ecclesiastes, cutting all the words except the “time” references: “a time to be born and a time to die…”
highly trivial, but these small pleasures make life interesting.
alec ounsworth is the lead singer of clap your hands say yeah, an unsigned band from new york making major waves in the indie rock pool. he sounds exactly like david byrne of the talking heads. and when i say exactly, i mean he’s channeling david byrne circa 1982.
turns out he looks like byrne, too.
amazon top 100 editors’ picks of 2005: #1
metacritic 30 best-reviewed albums of 2005: #1
pitchfork top 50 albums of 2005: #1
garage sale, one dollar, u2’s boy (cardboard gatefold sleeve, too). i’ve said before that u2 never held quite the allure, for me, that it seems to hold for my friends. i’d never heard this album before. but spinning it in the car this week, i have to say it’s a good listen. bono’s new wave melodies kinda tickle my funnybone. adam’s bass is classic! am i the last one to have heard boy? anyone else have a fond place in their heart for this album?